![]() ![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". ![]() The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Limbo is one of the better releases from Hong Kong recently and one that needs to be seen. Soi Cheang toys and twists the knife slowly as you are witnessing the brutality of his vision. Within this hellish landscape, some moments will chill you to your very core. While Limbo isn’t exactly well-layered like Se7en, it has enough gas within the narrative engine to satisfy any audience. At times the pain she endures can be challenging to watch. As she travels around, things progressively get worse as her past catches up with her. The history she has with Cham Lau creates this friction. Her reputation is tarnished, and she is living inside a living nightmare. The inclusion of Wong To as the bate is what elevates the narrative. Within this barrage of sensory splendour lays quite an exciting story. The camera moves like a man possessed as our protagonists run through the streets. The action sequences feel otherworldly within his hellish vision. Hong Kong is drenched with rain that almost feels like Wong Kar Wai’s The Grandmaster. ![]() The real mood inducer is Cheng Siu-keung’s cinematography. Character arks are established relatively quickly, and Cheang piles the intensity with the thrill of the chase. Soi Cheang full-throttle approach grabs you by the hair and drags you through this wild journey. This sinister tale unfolds on Hong Kong’s streets, they almost feel like a labyrinth, and the hunt is ruthless because of it. Drenched in heavy rain and smeared in monochrome black & white. ![]() Surrounded by ever more insane bouts of violence and increasingly in danger of falling victim to the bestial serial killer herself, she fights the traumas of the slums by her own means. But this young woman is both unpredictable and insubordinate. To lure this “hand-fetish” ripper, they use the criminal Wong To (Liu Cya) as bait. The film follows rookie policeman Will Ren (Mason Lee) and his partner, the veteran cop Cham Lau (Gordon Lam), who are pursuing an obsessive and ruthless murderer of women. Based on its premise and trailer, could this be the next great Hong Kong thriller? Playing out of competition at Berlinale this year is Soi Cheang’s Limbo. Hong Kong cinema goes through cycles of delivering gems of entertainment and some forgettable duds in other instances. It seems like forever when Andrew Lau & Alan Mak’s Internal Affairs thrilled audiences back in 2002. Cast: Gordon Lam, Liu Cya, Mason Lee and Hiroyuki Ikeuchi ![]()
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